reviews:
Simon
Starling: Wilhelm Noack oHG,
Neuger Riemschneider
Berlin, Germany
by Rea Cris
Rebecca
Horn, Martin-Gropius-Bau
Berlin, Germany
by Rea Cris
Katarzyna
Kozyra, DAAD Gallery
Berlin, Germany
by Rea Cris
111
@ 111, 111 Minna Gallery
San
Francisco, CA
by Tonya Warner
Snowdomes,
The National Glass Centre
Sunderland, UK
by
Rea Cris
Into
Me / Out of Me, KW Institute
Berlin, Germany
by Rea Cris
Off
the Wall, Gallery of Modern Art
Edinburgh, UK
by Rea Cris
Anselm
Kiefer, SFMoMA
San Francisco, CA
by Tonya Warner
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Katarzyna Kozyra: In
Art Dreams Come True
Performances and films 2003-2006
DAAD Gallery
Berlin, Germany
Nov. 18 2006 – Jan. 6 2007
Reviewed by: Rea Cris
During her DAAD Berlin Artist
Program, Polish video artist Katarzyna Kozyra, decided on becoming an
opera singer, with the help of a professional Polish singer master known
as The Maestro and Berlin-based drag queen Gloria Viagra. The exhibition
is a documentation of the thirteen performances between 2003 and 2006
as well as a documentary with interviews from people who worked on them.
The performances are metamorphosis of Kozyra transforming into different
personalities. Kozyra ranges from becoming a clone of Gloria Viagra, a
cheerleader bobbing to the tune of Gwen Stephani’s What you waiting
for, a fake Madonna, Snow White and a living figurine in a coucou clock
appearing to sing Mozart on the hour. Originally live performances, they
translate well into video format.
Kozyra is serious about her art; she is literally ready to kill for it.
Her degree piece presented in 1993 at the Department of Sculpture at the
Academy of Fine Arts in Warsaw consisted of a life size sculpture of four
stuffed animals (horse, dog, cat and rooster) with an accompanying video
documenting the horse being killed and skinned. Despite this gruesome
and questionably moral act, I feel that Kozyra’s work is a genuine
attempt to uncover and discover. Her work is well thought out and worked
over. Viewing these videos is like looking through her sketchbook, where
she works out different solutions to the questions she has set herself.
But the superficiality and deceiving nature of appearances is only scratching
the surface of Kozyra’s work. You go away not completely grasping
it all and find yourself thinking about it still, days afterwards. For
all its spectacle and artifice, the content behind her work is paramount-ly
serious.
http://www.katarynakozyra.com.pl/
http://www.themidgetgallery.com/
www.daad-berlin.de/english
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